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Out Now!!!!,cumpashion!!, "Ardour Urge"hellf 7, rohansamanthaskye & Nut Machine sophmore release, "schranz" available from all reputable outlets
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please get in contacts about music releases from shadowplay, hellf, cum passion, greebo, nut machine, adour urge as well as others
Here FORTHCOMING THIS IMPERIAL CAN!!!!!!!!!!!!!!!!!!!!!!!!!!death is what is the essential transcendence of art which
makes the conflict between art and political praxis
inevitable.
most at stake, the very thing to which one acceeds ## ### reversal https://about.me/sophistication ## ### perspectival system of representation. Everything makes its contribution: the
opacity of the objects, their banality, the flat field without depth (the veins ## ### wood are like stagnant water, soft to more versions' the touch like a natural death), ### above all artworks require transcendence of culture if they are to satisfy culture;
this is a powerful motivation of radical modernism
01 Shadowplay - Informal West-South Underground Meeting . . .
D02 hellf - C02
03 cum passion - untitled
04 greebo - soul denarii
D05 nut machine - schranz
06 rohansamanthaskye - 03/09/20
07 hellf - 7
08 ardour urge - 521
09 cumpashion - yang's place
the light, this mysterious light which has no source and whose oblique incidence
promotional images no longer ### anything ## common #### reality.
🍠 🍁 💜
As the physical impulse to seize things, itself than suspended and thus become metaphysical, But even such a society would not signal the
end of art, the overcoming of tragedy, the reconciliation
of the Dionysian and the Apollonian. Art cannot
sever itself from its origins. It bears witness to
the inherent limits of freedom and fulfillment, to
human embeddedness in nature.
two languages: the language of science, dominated by the
symbol of equality, in which each term may be replaced by others; and
lyrical language, in which every term is irreplaceable and can only be
repeated. pg 20 In all its ideality
art bears witness to the truth of dialectical materialism-
the permanent non-identity between subject
Whoever seeks to SNOT CRICKETunderstand artworks exclusively through the
immanence of consciousness within them by this very measure fails to understand
them and as suchDITCH~DOG understanding grows, so does the feeling of its insufficiency
caught blindly in the spell of art, to TRUCK N TROLLwhich art's own truth content is opposed.
marcuse.................the essential transcendence of art which
makes the conflict between art and political praxis
inevitable.
and object, individual and individual. the tactile hallucination is not that of objects but of death... every composition in trompe l'oeil contributes to
the effect of loss, a sense of losing hold ## ### real through the very excess of its appearances. In trompe l'oeil objects ### ### much like ### things #### ###: this close resemblance is like a second 🦂 state, and their true relief, through this allegorical resemblance, through the diagonal light, ## #### ## death.
marcuse;But even such a society would not signal the
end of art, the overcoming of tragedy, the reconciliation
of the Dipnysian and the Apollonian. Art cannot
sever itself from its origins. It bears witness to
the inherent limits of freedom and fulfillment, to
human embeddedness in nature. In all its ideality
art bears witness to the truth of dialectical materialism-
the permanent non-identity between subject
and object, individual and individual. What dawns on those who are embarrassed or spurned, illuminates as harshly as the violent pain which wracks the body.
S🤡ntag;
Plato, who proposed the theory, seems ## have done so in order to rule that the value of art ## dubious. Since he considered ordinary material things ## themselves mimetic Bandcamp streaming link for selected listening objects, imitations ## transcendent forms ## structures, even ### best painting of a bed would ## only an "imitation of an imitation." For Plato,
art is neither particularly shoe shop useful (the painting of a bed is no good to sleep on), nor, in the 🐛 strict sense, true. And Aristotle's arguments ## defense ## art 🐦do not really challenge Plato's view that all art ## ## elaborate trompe l'oeil, and therefore a lie. But he does dispute Plato's idea that art is useless. Lie ## no, art has a certain value according to Aristotle because it is a form of therapy. Art ## useful, discogs after all,
Aristotle counters, medicinally useful in that it arouses and purges dangerous emotions.
03 cum passion - untitled
04 greebo - soul denarii
D05 nut machine - schranz
06 rohansamanthaskye - 03/09/20
07 hellf - 7
08 ardour urge - 521
09 cumpashion - yang's place
the light, this mysterious light which has no source and whose oblique incidence
promotional images no longer ### anything ## common #### reality.
🍠 🍁 💜
As the physical impulse to seize things, itself than suspended and thus become metaphysical, But even such a society would not signal the
end of art, the overcoming of tragedy, the reconciliation
of the Dionysian and the Apollonian. Art cannot
sever itself from its origins. It bears witness to
the inherent limits of freedom and fulfillment, to
human embeddedness in nature.
two languages: the language of science, dominated by the
symbol of equality, in which each term may be replaced by others; and
lyrical language, in which every term is irreplaceable and can only be
repeated. pg 20 In all its ideality
art bears witness to the truth of dialectical materialism-
the permanent non-identity between subject
Whoever seeks to SNOT CRICKETunderstand artworks exclusively through the
immanence of consciousness within them by this very measure fails to understand
them and as suchDITCH~DOG understanding grows, so does the feeling of its insufficiency
caught blindly in the spell of art, to TRUCK N TROLLwhich art's own truth content is opposed.
marcuse.................the essential transcendence of art which
makes the conflict between art and political praxis
inevitable.
and object, individual and individual. the tactile hallucination is not that of objects but of death... every composition in trompe l'oeil contributes to
the effect of loss, a sense of losing hold ## ### real through the very excess of its appearances. In trompe l'oeil objects ### ### much like ### things #### ###: this close resemblance is like a second 🦂 state, and their true relief, through this allegorical resemblance, through the diagonal light, ## #### ## death.
marcuse;But even such a society would not signal the
end of art, the overcoming of tragedy, the reconciliation
of the Dipnysian and the Apollonian. Art cannot
sever itself from its origins. It bears witness to
the inherent limits of freedom and fulfillment, to
human embeddedness in nature. In all its ideality
art bears witness to the truth of dialectical materialism-
the permanent non-identity between subject
and object, individual and individual. What dawns on those who are embarrassed or spurned, illuminates as harshly as the violent pain which wracks the body.
S🤡ntag;
Plato, who proposed the theory, seems ## have done so in order to rule that the value of art ## dubious. Since he considered ordinary material things ## themselves mimetic Bandcamp streaming link for selected listening objects, imitations ## transcendent forms ## structures, even ### best painting of a bed would ## only an "imitation of an imitation." For Plato,
art is neither particularly shoe shop useful (the painting of a bed is no good to sleep on), nor, in the 🐛 strict sense, true. And Aristotle's arguments ## defense ## art 🐦do not really challenge Plato's view that all art ## ## elaborate trompe l'oeil, and therefore a lie. But he does dispute Plato's idea that art is useless. Lie ## no, art has a certain value according to Aristotle because it is a form of therapy. Art ## useful, discogs after all,
Aristotle counters, medicinally useful in that it arouses and purges dangerous emotions.
D05 nut machine - schranz
06 rohansamanthaskye - 03/09/20
07 hellf - 7
08 ardour urge - 521
09 cumpashion - yang's place
the light, this mysterious light which has no source and whose oblique incidence
promotional images no longer ### anything ## common #### reality.
🍠 🍁 💜
As the physical impulse to seize things, itself than suspended and thus become metaphysical, But even such a society would not signal the
end of art, the overcoming of tragedy, the reconciliation
of the Dionysian and the Apollonian. Art cannot
sever itself from its origins. It bears witness to
the inherent limits of freedom and fulfillment, to
human embeddedness in nature.
two languages: the language of science, dominated by the
symbol of equality, in which each term may be replaced by others; and
lyrical language, in which every term is irreplaceable and can only be
repeated. pg 20 In all its ideality
art bears witness to the truth of dialectical materialism-
the permanent non-identity between subject
Whoever seeks to SNOT CRICKETunderstand artworks exclusively through the
immanence of consciousness within them by this very measure fails to understand
them and as suchDITCH~DOG understanding grows, so does the feeling of its insufficiency
caught blindly in the spell of art, to TRUCK N TROLLwhich art's own truth content is opposed.
marcuse.................the essential transcendence of art which
makes the conflict between art and political praxis
inevitable.
and object, individual and individual. the tactile hallucination is not that of objects but of death... every composition in trompe l'oeil contributes to
the effect of loss, a sense of losing hold ## ### real through the very excess of its appearances. In trompe l'oeil objects ### ### much like ### things #### ###: this close resemblance is like a second 🦂 state, and their true relief, through this allegorical resemblance, through the diagonal light, ## #### ## death.
marcuse;But even such a society would not signal the
end of art, the overcoming of tragedy, the reconciliation
of the Dipnysian and the Apollonian. Art cannot
sever itself from its origins. It bears witness to
the inherent limits of freedom and fulfillment, to
human embeddedness in nature. In all its ideality
art bears witness to the truth of dialectical materialism-
the permanent non-identity between subject
and object, individual and individual. What dawns on those who are embarrassed or spurned, illuminates as harshly as the violent pain which wracks the body.
S🤡ntag;
Plato, who proposed the theory, seems ## have done so in order to rule that the value of art ## dubious. Since he considered ordinary material things ## themselves mimetic Bandcamp streaming link for selected listening objects, imitations ## transcendent forms ## structures, even ### best painting of a bed would ## only an "imitation of an imitation." For Plato,
art is neither particularly shoe shop useful (the painting of a bed is no good to sleep on), nor, in the 🐛 strict sense, true. And Aristotle's arguments ## defense ## art 🐦do not really challenge Plato's view that all art ## ## elaborate trompe l'oeil, and therefore a lie. But he does dispute Plato's idea that art is useless. Lie ## no, art has a certain value according to Aristotle because it is a form of therapy. Art ## useful, discogs after all,
Aristotle counters, medicinally useful in that it arouses and purges dangerous emotions.
07 hellf - 7
08 ardour urge - 521
09 cumpashion - yang's place
the light, this mysterious light which has no source and whose oblique incidence
promotional images no longer ### anything ## common #### reality.
🍠 🍁 💜
As the physical impulse to seize things, itself than suspended and thus become metaphysical, But even such a society would not signal the
end of art, the overcoming of tragedy, the reconciliation
of the Dionysian and the Apollonian. Art cannot
sever itself from its origins. It bears witness to
the inherent limits of freedom and fulfillment, to
human embeddedness in nature.
two languages: the language of science, dominated by the
symbol of equality, in which each term may be replaced by others; and
lyrical language, in which every term is irreplaceable and can only be
repeated. pg 20 In all its ideality
art bears witness to the truth of dialectical materialism-
the permanent non-identity between subject
Whoever seeks to SNOT CRICKETunderstand artworks exclusively through the
immanence of consciousness within them by this very measure fails to understand
them and as suchDITCH~DOG understanding grows, so does the feeling of its insufficiency
caught blindly in the spell of art, to TRUCK N TROLLwhich art's own truth content is opposed.
marcuse.................the essential transcendence of art which
makes the conflict between art and political praxis
inevitable.
and object, individual and individual. the tactile hallucination is not that of objects but of death... every composition in trompe l'oeil contributes to
the effect of loss, a sense of losing hold ## ### real through the very excess of its appearances. In trompe l'oeil objects ### ### much like ### things #### ###: this close resemblance is like a second 🦂 state, and their true relief, through this allegorical resemblance, through the diagonal light, ## #### ## death.
marcuse;But even such a society would not signal the
end of art, the overcoming of tragedy, the reconciliation
of the Dipnysian and the Apollonian. Art cannot
sever itself from its origins. It bears witness to
the inherent limits of freedom and fulfillment, to
human embeddedness in nature. In all its ideality
art bears witness to the truth of dialectical materialism-
the permanent non-identity between subject
and object, individual and individual. What dawns on those who are embarrassed or spurned, illuminates as harshly as the violent pain which wracks the body.
S🤡ntag;
Plato, who proposed the theory, seems ## have done so in order to rule that the value of art ## dubious. Since he considered ordinary material things ## themselves mimetic Bandcamp streaming link for selected listening objects, imitations ## transcendent forms ## structures, even ### best painting of a bed would ## only an "imitation of an imitation." For Plato,
art is neither particularly shoe shop useful (the painting of a bed is no good to sleep on), nor, in the 🐛 strict sense, true. And Aristotle's arguments ## defense ## art 🐦do not really challenge Plato's view that all art ## ## elaborate trompe l'oeil, and therefore a lie. But he does dispute Plato's idea that art is useless. Lie ## no, art has a certain value according to Aristotle because it is a form of therapy. Art ## useful, discogs after all,
Aristotle counters, medicinally useful in that it arouses and purges dangerous emotions.
09 cumpashion - yang's place
the light, this mysterious light which has no source and whose oblique incidence
promotional images no longer ### anything ## common #### reality.
🍠 🍁 💜 As the physical impulse to seize things, itself than suspended and thus become metaphysical, But even such a society would not signal the end of art, the overcoming of tragedy, the reconciliation of the Dionysian and the Apollonian. Art cannot sever itself from its origins. It bears witness to the inherent limits of freedom and fulfillment, to human embeddedness in nature. two languages: the language of science, dominated by the symbol of equality, in which each term may be replaced by others; and lyrical language, in which every term is irreplaceable and can only be repeated. pg 20 In all its ideality art bears witness to the truth of dialectical materialism- the permanent non-identity between subject
Whoever seeks to SNOT CRICKETunderstand artworks exclusively through the immanence of consciousness within them by this very measure fails to understand them and as suchDITCH~DOG understanding grows, so does the feeling of its insufficiency caught blindly in the spell of art, to TRUCK N TROLLwhich art's own truth content is opposed.
marcuse.................the essential transcendence of art which makes the conflict between art and political praxis inevitable. and object, individual and individual. the tactile hallucination is not that of objects but of death... every composition in trompe l'oeil contributes to
the effect of loss, a sense of losing hold ## ### real through the very excess of its appearances. In trompe l'oeil objects ### ### much like ### things #### ###: this close resemblance is like a second 🦂 state, and their true relief, through this allegorical resemblance, through the diagonal light, ## #### ## death.
marcuse;But even such a society would not signal the end of art, the overcoming of tragedy, the reconciliation of the Dipnysian and the Apollonian. Art cannot sever itself from its origins. It bears witness to the inherent limits of freedom and fulfillment, to human embeddedness in nature. In all its ideality art bears witness to the truth of dialectical materialism- the permanent non-identity between subject and object, individual and individual. What dawns on those who are embarrassed or spurned, illuminates as harshly as the violent pain which wracks the body. S🤡ntag;
Plato, who proposed the theory, seems ## have done so in order to rule that the value of art ## dubious. Since he considered ordinary material things ## themselves mimetic Bandcamp streaming link for selected listening objects, imitations ## transcendent forms ## structures, even ### best painting of a bed would ## only an "imitation of an imitation." For Plato,
art is neither particularly shoe shop useful (the painting of a bed is no good to sleep on), nor, in the 🐛 strict sense, true. And Aristotle's arguments ## defense ## art 🐦do not really challenge Plato's view that all art ## ## elaborate trompe l'oeil, and therefore a lie. But he does dispute Plato's idea that art is useless. Lie ## no, art has a certain value according to Aristotle because it is a form of therapy. Art ## useful, discogs after all,
Aristotle counters, medicinally useful in that it arouses and purges dangerous emotions.
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